{"id":6693,"date":"2026-01-20T07:17:54","date_gmt":"2026-01-20T07:17:54","guid":{"rendered":"https:\/\/zavodimuzejstip.mk\/muzej\/kisha-shen-spasi\/"},"modified":"2026-06-01T09:47:01","modified_gmt":"2026-06-01T09:47:01","slug":"kisha-shen-spasi","status":"publish","type":"avada_portfolio","link":"https:\/\/zavodimuzejstip.mk\/sq\/portfolio-items\/kisha-shen-spasi\/","title":{"rendered":"Kisha “Sh\u00ebn Spasi”"},"content":{"rendered":"

Kisha “Sh\u00ebn Spasi” u nd\u00ebrtua n\u00eb gjysm\u00ebn e dyt\u00eb t\u00eb shekullit t\u00eb 14-t\u00eb, n\u00eb t\u00eb cil\u00ebn koh\u00eb u pikturua edhe ajo. <\/p>\n

Sipas t\u00eb dh\u00ebnave m\u00eb t\u00eb vjetra t\u00eb k\u00ebsaj nd\u00ebrtese – statutit t\u00eb Konstantin Dragashit (Dejanoviq) nga 26.03.1388 – m\u00ebsojm\u00eb se kisha \u00ebsht\u00eb nd\u00ebrtuar nga Duka Dimitar para vitit 1388, q\u00eb do t\u00eb thot\u00eb se kisha ekzistonte n\u00eb periudh\u00ebn e p\u00ebrmendur t\u00eb shekullit t\u00eb 14-t\u00eb dhe ishte pikturuar. E nj\u00ebjta statut p\u00ebrmend n\u00eb m\u00ebnyr\u00eb eksplicite nj\u00eb abat, gj\u00eb q\u00eb d\u00ebshmon se n\u00eb koh\u00ebn e themelimit t\u00eb saj “Sh\u00ebn Spasi” ishte nj\u00eb kish\u00eb manastiri. <\/p>\n

Pasi kisha u rinovua n\u00eb shekullin e 17-t\u00eb, sh\u00ebrbesat e rregullta kishtare vazhduan, si\u00e7 d\u00ebshmohet nga mbishkrimet e gdhendura n\u00eb mure rreth vdekjes s\u00eb prift\u00ebrinjve t\u00eb saj: priftit Jovan (1659), priftit Ilija (1664) dhe kryepriftit Efrem (1734).<\/p>\n<\/div><\/div><\/div>

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Ka pak t\u00eb dh\u00ebna rreth \u201cSh\u00ebn Spasit\u201d me ndihm\u00ebn e t\u00eb cilave historia e tij mund t\u00eb rind\u00ebrtohet me sakt\u00ebsi. Megjithat\u00eb, ka mjaftuesh\u00ebm indikacione p\u00ebr t\u00eb supozuar se kisha ka qen\u00eb vazhdimisht \u201ce gjall\u00eb\u201d gjat\u00eb gjith\u00eb koh\u00ebs s\u00eb nd\u00ebrtimit t\u00eb saj. Kjo konfirmohet nga fakti se n\u00eb \u201cPomenik\u201d-un e Zografit, i cili \u00ebsht\u00eb ruajtur me kujdes n\u00eb periudh\u00ebn 1527\u20131728, p\u00ebrmenden shum\u00eb t\u00eb krishter\u00eb nga Novo Selo t\u00eb cil\u00ebt dhan\u00eb kontribute p\u00ebr murgjit e Zografit. Fuqia ekonomike dhe p\u00ebrkushtimi fetar i banor\u00ebve t\u00eb Novo Selos demonstrohet m\u00eb s\u00eb miri nga fakti se minimumi i lart\u00eb prej 10 monedhash argjendi u dha nga 19 besimtar\u00eb p\u00ebr t’u futur n\u00eb \u201cPomenik\u201d, midis tyre nj\u00eb zejtar – abati Bo\u0161ko. <\/p>\n

Kisha dallohet nga format e holla arkitekturore, nj\u00eb fasad\u00eb modeste por e realizuar me kujdes, me hapje proporcionalisht shum\u00eb t\u00eb ngushta dhe afreske me cil\u00ebsi t\u00eb ndryshme, q\u00eb burojn\u00eb nga dy periudha t\u00eb ndryshme. Sipas t\u00eb dh\u00ebnave historike, arkitektura e kish\u00ebs \u00ebsht\u00eb ruajtur n\u00eb gjendjen e saj origjinale, p\u00ebrve\u00e7 pjes\u00ebve t\u00eb struktur\u00ebs s\u00eb \u00e7atis\u00eb q\u00eb tregojn\u00eb mbivendosje t\u00eb shum\u00ebfisht\u00eb t\u00eb kish\u00ebs me nd\u00ebrtimin e mbivendosjeve mbi korniza. <\/p>\n

N\u00eb thelb, kisha \u00ebsht\u00eb nj\u00eb nd\u00ebrtes\u00eb e vog\u00ebl me nj\u00eb nef me nj\u00eb absid\u00eb trefaq\u00ebshe nga jasht\u00eb dhe nj\u00eb gjysm\u00ebrrethore nga brenda, me p\u00ebrmasa 7.80 \u00d7 3.80 m dhe lart\u00ebsi 5.50 m. Themelet shtrihen direkt mbi shk\u00ebmb, gj\u00eb q\u00eb \u00ebsht\u00eb ve\u00e7an\u00ebrisht e dukshme n\u00eb an\u00ebn veriore. \u00cbsht\u00eb nd\u00ebrtuar me gur ranor t\u00eb gjelb\u00ebr me copa tullash. Fasadat veriore, jugore dhe per\u00ebndimore jan\u00eb t\u00eb sheshta, t\u00eb k\u00ebndshme me kamare t\u00eb cek\u00ebta, nd\u00ebrsa fasada lindore \u00ebsht\u00eb e zbukuruar nga nj\u00eb absid\u00eb e vendosur m\u00eb posht\u00eb. <\/p>\n

Struktura e \u00e7atis\u00eb zgjidhet me nj\u00eb qemer gjysm\u00ebrrethor t\u00eb mbuluar me pllaka guri, n\u00ebn t\u00eb cilin ndodhet nj\u00eb kuror\u00eb me dh\u00ebmb\u00ebza q\u00eb fillimisht ishte me dy rreshta. Pjes\u00ebt m\u00eb t\u00eb sip\u00ebrme t\u00eb nd\u00ebrtes\u00ebs mbi kuror\u00eb jan\u00eb t\u00eb murosura – n\u00eb koh\u00ebn kur kisha ishte e mbuluar me pllaka guri, dhe sipas disa autor\u00ebve besohet se fillimisht ishte e mbuluar me llamarina plumbi. <\/p>\n

N\u00eb fasad\u00ebn lindore, mbi der\u00ebn e ul\u00ebt nga e cila hyhet n\u00eb kish\u00eb, ndodhet nj\u00eb kamare e cek\u00ebt me nj\u00eb p\u00ebrfundim gjysm\u00ebrrethor me punime me tulla t\u00eb dh\u00ebmb\u00ebzuara, ku \u00ebsht\u00eb pikturuar shenjtori t\u00eb cilit i \u00ebsht\u00eb kushtuar kisha, por me kalimin e koh\u00ebs afresku \u00ebsht\u00eb shkat\u00ebrruar.<\/p>\n

Ndri\u00e7imi n\u00eb kish\u00eb \u00ebsht\u00eb minimal dhe zgjidhet me nj\u00eb bifor\u00eb n\u00eb murin lindor dhe nj\u00eb monofor\u00eb n\u00eb absid\u00eb, nd\u00ebrsa hapja e vog\u00ebl n\u00eb form\u00ebn e nj\u00eb monofore n\u00eb an\u00ebn per\u00ebndimore u mbyll n\u00eb koh\u00ebn kur kisha u rilyer, dhe tani \u00ebsht\u00eb e dukshme vet\u00ebm nga jasht\u00eb. N\u00eb hap\u00ebsir\u00ebn e altarit, p\u00ebrve\u00e7 absid\u00ebs s\u00eb altarit, ka edhe nj\u00eb kamare t\u00eb vog\u00ebl n\u00eb vendin e proskomidis\u00eb, nd\u00ebrsa homologu i saj n\u00eb vendin e dhjakonikonit nuk ekziston. <\/p>\n

Dyshemeja n\u00eb kish\u00eb \u00ebsht\u00eb b\u00ebr\u00eb me pllaka guri dhe \u00ebsht\u00eb n\u00ebn nivelin e tok\u00ebs n\u00eb hyrje, k\u00ebshtu q\u00eb n\u00eb kish\u00eb hyhet n\u00ebp\u00ebrmjet nj\u00eb shkalle guri.<\/p>\n

Piktura afreske \u00ebsht\u00eb nga dy periudha: shtresa e par\u00eb daton nga koha e nd\u00ebrtimit t\u00eb kish\u00ebs (shekulli i 14-t\u00eb), dhe e dyta daton nga koha e rinovimit t\u00eb saj disa shekuj m\u00eb von\u00eb. Piktura origjinale e shekullit t\u00eb 14-t\u00eb \u00ebsht\u00eb e pranishme n\u00eb harkun gjysm\u00ebrrethor, n\u00eb brezin menj\u00ebher\u00eb posht\u00eb harkut dhe n\u00eb hap\u00ebsirat e timpanit n\u00eb muret lindore dhe per\u00ebndimore. Karakteristikat e artit mesjetar dhe piktur\u00ebs afreske n\u00eb Shtip jan\u00eb m\u00eb t\u00eb dallueshme n\u00eb kompozim. “Transformimi”, i cili ka nj\u00eb model klasik paleologjik – i duksh\u00ebm n\u00eb p\u00ebrpunimin e draperis\u00eb s\u00eb figurave dhe format e rregullta t\u00eb kokave. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, fytyrat e engj\u00ebjve jan\u00eb vendosur n\u00eb gjysm\u00eb-profil, me sy t\u00eb rrumbullak\u00ebt t\u00eb theksuar dhe mjek\u00ebr t\u00eb t\u00ebrhequr. Figurat e tjera kan\u00eb sy t\u00eb vegj\u00ebl t\u00eb rrumbullak\u00ebt, beb\u00ebza t\u00eb rrumbullakosura, fytyra t\u00eb qeta dhe paq\u00ebsore me nj\u00eb pamje t\u00eb mir\u00eb, ball\u00eb t\u00eb madh, hund\u00eb t\u00eb theksuara mishtore, flok\u00eb dhe mjek\u00ebr t\u00eb val\u00ebzuar dhe nj\u00eb gjoks t\u00eb fort\u00eb fizikisht. <\/p>\n

P\u00ebrfaq\u00ebsimi i Trinis\u00eb s\u00eb Shenjt\u00eb me tre koka, si n\u00eb “Sh\u00ebn Spas”, \u00ebsht\u00eb nj\u00eb shembull shum\u00eb i rrall\u00eb n\u00eb shekullin e 14-t\u00eb. Megjithat\u00eb, n\u00eb literatur\u00ebn e deritanishme, kjo piktur\u00eb nuk \u00ebsht\u00eb par\u00eb n\u00eb detaje ose e paraqitur plot\u00ebsisht, dhe madje edhe m\u00eb pak e p\u00ebrcaktuar, por nuk bie ndesh me piktur\u00ebn e \u00e7erekut t\u00eb tret\u00eb t\u00eb shekullit t\u00eb 14-t\u00eb. Ikonografia nuk zot\u00ebron nj\u00eb cil\u00ebsi t\u00eb dallueshme, por talenti i piktorit \u00ebsht\u00eb i duksh\u00ebm. Me k\u00ebrkimin dhe konservimin q\u00eb \u00ebsht\u00eb duke u zhvilluar, pritet q\u00eb afresket t\u00eb p\u00ebrcaktohen m\u00eb sakt\u00eb stilistikisht. <\/p>\n

Piktura m\u00eb e re n\u00eb kish\u00eb u krijua n\u00eb vitin 1601, fal\u00eb piktorit t\u00eb ikonave Jovan, si\u00e7 d\u00ebshmohet nga mbishkrimi i afreskut brenda kish\u00ebs, i shkruar n\u00eb gjuh\u00ebn sllave mbi hyrjen per\u00ebndimore. Piktura mbulon brezin e figurave n\u00eb k\u00ebmb\u00eb dhe dy zona horizontale n\u00eb muret an\u00ebsore. N\u00eb qemer, nd\u00ebrhyrjet jan\u00eb t\u00eb dukshme n\u00eb sfonde dhe tituj, si dhe n\u00eb bustet e profet\u00ebve. Piktura e piktorit t\u00eb ikonave tregon vizatim t\u00eb fort\u00eb dhe ngjyra t\u00eb k\u00ebndshme, duke p\u00ebrdorur ngjyra t\u00eb ngjashme me piktorin e ikonave t\u00eb shekullit t\u00eb 14-t\u00eb. N\u00eb vendet ku bashkohen kompozimet nga shekujt e 14-t\u00eb dhe t\u00eb 17-t\u00eb, piktori i ikonave e p\u00ebrshtati me mjesht\u00ebri ngjyr\u00ebn e tij me origjinalin, k\u00ebshtu q\u00eb \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb shihet ndarja e dy pikturave. <\/p>\n

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P\u00ebrb\u00ebr\u00ebsit e pron\u00ebs:
Piktur\u00eb afreske nga shekujt 14 dhe 17.<\/p>\n<\/div><\/div><\/div>

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